Deborah Coleman is a rarity in the male-dominated world of contemporary blues: She doesn't imitate the bellowing "blues mama" persona so familiar to the genre, and she's one hell of a lead guitar player. Her new album is a smooth blend of furious fretwork and purring voice.
Coleman's slide shreds up "Goodbye Misery," while her buoyant licks carry the Texas blues of "Travelin' South." Even when her lyrics come close to cliché, like on "Beside Myself" and "Hain't It Funny," she rescues the songs with some wicked playing and her Joan Armatrading vocal stylings.
This album proves Coleman's not a novelty but a rare talent in a genre that desperately needs some new blood.
We welcome readers to submit letters regarding articles and content in Orlando Weekly. Letters should be a minimum of 150 words, refer to content that has appeared on Orlando Weekly, and must include the writer's full name, address, and phone number for verification purposes. No attachments will be considered. Writers of letters selected for publication will be notified via email. Letters may be edited and shortened for space.
Email us at email@example.com.
Orlando Weekly works for you, and your support is essential.
Our small but mighty local team works tirelessly to bring you high-quality, uncensored news and cultural coverage of Central Florida.
Unlike many newspapers, ours is free – and we'd like to keep it that way, because we believe, now more than ever, everyone deserves access to accurate, independent coverage of their community.
Whether it's a one-time acknowledgement of this article or an ongoing pledge, your support helps keep Orlando’s true free press free.