Like any other group of childhood buddies, the four stars of "The Brothers" gather to shoot hoops, hang out and discuss their relationships. Like many men, they can't escape problems with the opposite sex. And as with any coterie of upper-class American guys, the evidence of their success is legion: fast cars, solid careers, GQ looks, sumptuous homes. "We're the cream of the crop," they agree.
What makes them stand out? They're African-American professionals, a demographic that's still under-represented on the big screen. Writer/director Gary Hardwick has distilled their experiences into an amiable, engaging and personal film.
We hear the most from pediatrician Jackson Smith (Morris Chestnut), whose history of divorce clouds his outlook on forming a family with Denise (Gabrielle Union), a woman who, coincidentally, dated his father. Banker Derrick West (D.L. Hughley), though married, is conflicted over personal issues: He can't seem to agree with his wife about their sex life. Single playboy Terry White (Shemar Moore) stuns the group by announcing that he wants to get hitched. And attorney Brian Palmer (Bill Bellamy) just can't get any of it right, including making up his mind as to what sort of woman he fancies. (Asked for an answer to "Waiting to Exhale," he suggests a book entitled, "Breathe, Bitch!")
They may have relationship issues, but these "Brothers" are comfortable with their societal roles. The film avoids the ghettoized approach of "Juice" and the "Friday" movies, yet doesn't compensate with the sort of cultural self-justification that went out with George Jefferson. Instead, its protagonists are free to exist as characters -- or at least the juiciest attributes thereof -- and the story can get on with itself.
It doesn't hurt that the actors, most with backgrounds in TV, are uniformly excellent. Overall, the picture bodes well for filmmaker Hardwick, a stockbroker's son who started as scriptwriter for the undistinguished 1999 comedy "Trippin.'" "The Brothers" offers white audiences a slice of Americana they'll find interesting enough to learn more about, as interpreted by a filmmaker who looks like he has even more to say.
We welcome readers to submit letters regarding articles and content in Orlando Weekly. Letters should be a minimum of 150 words, refer to content that has appeared on Orlando Weekly, and must include the writer's full name, address, and phone number for verification purposes. No attachments will be considered. Writers of letters selected for publication will be notified via email. Letters may be edited and shortened for space.
Email us at email@example.com.
Orlando Weekly works for you, and your support is essential.
Our small but mighty local team works tirelessly to bring you high-quality, uncensored news and cultural coverage of Central Florida.
Unlike many newspapers, ours is free – and we'd like to keep it that way, because we believe, now more than ever, everyone deserves access to accurate, independent coverage of their community.
Whether it's a one-time acknowledgement of this article or an ongoing pledge, your support helps keep Orlando’s true free press free.