Few electronic artists capture the duality of nature as effectively as Scottish duo Boards of Canada. With 1998's "Music Has the Right to Children," Boards introduced a musical perspective that divided the outdoor world into a beautiful landscape, expressed in splashes of dazed keyboard tones, and a brutal reality meted out in sinister beats. "Children" conjured shades of "Wild Kingdom"'s Marlin Perkins narrating breathlessly as a lion gracefully stalked its prey. Boards filtered sunlight into the clearing while maintaining the sense that, just beyond the edge of the music, something was on the verge of attacking.
"Geogaddi" ratchets the anxiety up several notches as Boards abandon daylight and head subterranean, taking "Children"'s stem-to-stern consistency with it. Melodies are darker, beats slower, and samples of children processed unsettlingly. "Dawn Chorus" and the chilling "Gyroscope" imply abuse, chewing up kid voices and spitting them out in awkwardly suggestive rhythms. The salty wash of "Dandelion" doubles as an excuse to show off campy Jacques Cousteau narration. The New-Age-with-fangs "Alpha and Omega" pulses through a nuclear sky; "1969" lopes across a wasteland of chopped Vocoder lyrics and inverted euphoria, rolling its eyes at both Woodstock and Daft Punk; "Diving Station" dispatches a lamb of a piano melody alone down a trail beset by howling winds. But brief, eerie sketches like "Beware the Friendly Stranger" pile up quickly, and their choppy intrusion detracts from the record's worthwhile moments. In the end, it's hard not to feel a little disappointed with Geogaddi--but the record only feels like a letdown because "Children" set the bar so high.
We welcome readers to submit letters regarding articles and content in Orlando Weekly. Letters should be a minimum of 150 words, refer to content that has appeared on Orlando Weekly, and must include the writer's full name, address, and phone number for verification purposes. No attachments will be considered. Writers of letters selected for publication will be notified via email. Letters may be edited and shortened for space.
Email us at email@example.com.
Support Local Journalism.
Join the Orlando Weekly Press Club
Local journalism is information. Information is power. And we believe everyone deserves access to accurate independent coverage of their community and state. Our readers helped us continue this coverage in 2020, and we are so grateful for the support.
Help us keep this coverage going in 2021. Whether it's a one-time acknowledgement of this article or an ongoing membership pledge, your support goes to local-based reporting from our small but mighty team.
Join the Orlando Weekly Press Club for as little as $5 a month.