Though featuring former and current members of Dimmu Borgir, Old Man's Child takes a decidedly less epic approach to its black metal, preferring instead to map out a more modern-sounding course. Chunky synth lines and processed-sounding drums suck a good bit of the life out of many of the songs on this, the band's fourth album. But when OMC gets a grinding groove going -- like on "Agony of Fallen Grace" or the title track -- they're largely successful. Yet on tracks like the spastically inchoate "Felonies of the Christian Art," there's simply too much going on for the music to be effective. Not nearly as cartoonishly "evil" as many of their Norwegian counterparts, OMC errs on the side of raging melodicism when pushing their demonic agenda and, when they don't try to do a billion things at one time, it actually works.
We welcome readers to submit letters regarding articles and content in Orlando Weekly. Letters should be a minimum of 150 words, refer to content that has appeared on Orlando Weekly, and must include the writer's full name, address, and phone number for verification purposes. No attachments will be considered. Writers of letters selected for publication will be notified via email. Letters may be edited and shortened for space.
Email us at firstname.lastname@example.org.
Support Local Journalism.
Join the Orlando Weekly Press Club
Local journalism is information. Information is power. And we believe everyone deserves access to accurate independent coverage of their community and state. Our readers helped us continue this coverage in 2020, and we are so grateful for the support.
Help us keep this coverage going in 2021. Whether it's a one-time acknowledgement of this article or an ongoing membership pledge, your support goes to local-based reporting from our small but mighty team.
Join the Orlando Weekly Press Club for as little as $5 a month.