Shown last October as part of the Central Florida Jewish Film Festival, this speculative drama lays out the possible origin of a haunting hit song that allegedly moved more than 150 listeners to commit suicide in the 1930s. Here, the tune is the creation of a Hungarian pianist who's also involved in a self-destructive love triangle with a dark-haired beauty and the restaurateur who employs them both. With a restraint that only adds to its ultimate power, the movie slowly reveals its true area of inquiry: the march of the Third Reich up to this preoccupied trio's doorstep. If it sounds unfocused, it isn't: Director/co-writer Rölf Schöbel's tight, philosophically sound narrative shows the essential relation of nationalist offenses to personal demons like lust, envy and blind resentment.
We welcome readers to submit letters regarding articles and content in Orlando Weekly. Letters should be a minimum of 150 words, refer to content that has appeared on Orlando Weekly, and must include the writer's full name, address, and phone number for verification purposes. No attachments will be considered. Writers of letters selected for publication will be notified via email. Letters may be edited and shortened for space.
Email us at email@example.com.
Support Local Journalism.
Join the Orlando Weekly Press Club
Local journalism is information. Information is power. And we believe everyone deserves access to accurate independent coverage of their community and state. Our readers helped us continue this coverage in 2020, and we are so grateful for the support.
Help us keep this coverage going in 2021. Whether it's a one-time acknowledgement of this article or an ongoing membership pledge, your support goes to local-based reporting from our small but mighty team.
Join the Orlando Weekly Press Club for as little as $5 a month.