The Graduate was utterly of its time in 1967, but it was also ahead of it in terms of its modernism. The underrated Mike Nichols brought visionary style to the movie, taking chances most directors wouldn’t fathom today. Take that poetic associative montage after Dustin Hoffman’s Benjamin and Anne Bancroft’s Mrs. Robinson make love for the first time. Or the humiliating sequence at the family pool, shot from the point of view of Benjamin in full, claustrophobic deep-sea diving apparel. With the movie’s iconic key scenes firmly lodged in the subconscious – “Mrs. Robinson, you’re trying to seduce me,” “Plastics,” etc. – it’s these smaller moments, the fascinating ways Nichols stages, edits and photographs scenes, that keep me coming back to this vital work. The special features for this 40th-anniversary expanded edition could have been better, though. A featurette called Students of the Graduate offers insight from Henry Rollins, directors David O. Russell and Harold Ramis and others, but the Graduate at 25 featurette just says more of the same.
We welcome readers to submit letters regarding articles and content in Orlando Weekly. Letters should be a minimum of 150 words, refer to content that has appeared on Orlando Weekly, and must include the writer's full name, address, and phone number for verification purposes. No attachments will be considered. Writers of letters selected for publication will be notified via email. Letters may be edited and shortened for space.
Email us at firstname.lastname@example.org.
Orlando Weekly works for you, and your support is essential.
Our small but mighty local team works tirelessly to bring you high-quality, uncensored news and cultural coverage of Central Florida.
Unlike many newspapers, ours is free – and we'd like to keep it that way, because we believe, now more than ever, everyone deserves access to accurate, independent coverage of their community.
Whether it's a one-time acknowledgement of this article or an ongoing pledge, your support helps keep Orlando’s true free press free.