Orlando Weekly

Menu Search

Blogs

The Gist

AMC's park-hopping newness in Orlando.

by

comment

yellow_brick_roadjpg

A couple of newish developments from AMC that affect local movie fans this week:

Over at Downtown Disney, the theater chain is opening a "dine-in" theater with two dining/watching options. The first is the "Fork & Screen" option, where a server brings you food and drinks to an oversized leather seat (no tables) with a kind of tray table in front. Cocktails, beer & wine is available and the food selection, though relatively basic – cheeseburgers, quesadillas, mac & cheese – is better than Mike & Ike's and a Sprite.

For a few dollars more, moviegoers 21 and up can choose the Cinema Suites option, which is like a VIP area – more spacious and intimate with exclusive food options.

It's not clear yet whether new movies will be screened at the dine-in, but their options for the press tour (which we may be covering, but I won't be since it's on my son's birthday) are of the decidedly $1.99 rental quality: Tron: Legacy, Tangled, The (new) Karate Kid, The Hangover (original), Inception and The Social Network.

The story's a lot different at the AMC at CityWalk, however. They've teamed up with Bloody Disgusting and something called The Collective for a summer-long run of curated new horror films from the festival circuit. The exciting lineup is below:

RAMMBOCK May 4th 2011 - Produced by Melanie Berke and Sigrid Hoerner, written by

Benjamin Hessler and directed by Marvin Kren, this Fantastic Fest favorite marks the first

German foray into the zombie genre. Kren’s tense, action packed feature follows a group

of strangers who try to fight off hordes of zombies in a Berlin apartment complex.

• YELLOWBRICKROAD June 1st, 2011 - Produced by Eric Hungerford, directed and

written by Andy Mitton and Jesse Holland, and starring Cassidy Freeman (SMALLVILLE),

Anessa Ramsey (THE SIGNAL), and Lee Wilkof (BEFORE THE DEVIL KNOWS

YOU?RE DEAD). In the Fall of 1940, the entire population of Friar, NH abandoned their

homes and walked up an ancient trail, never to be seen alive again. Their fates have

remained a mystery for over 70 years, until a team of researchers discover the trailhead

and attempt to track the path the doomed citizens of Friar took.

• COLD FISH July 6th 2011 - From Sion Sono, the director of LOVE EXPOSURE and

SUICIDE CLUB and based on a true story. Sono’s brutal serial killer film COLD FISH has

won international acclaim on the festival circuit. In the film, Shamoto’s teenage daughter

is caught stealing, a generous stranger and his wife offer a solution – have the girl work

at their tropical fish store. Too good to be true? You bet! Shamoto soon discovers the

horrific truth about the seemingly perfect couple and their brutal business. COLD FISH is

a bloodcurdling suspense drama that unveils the underlying insanity of an ordinary man.

• ATROCIOUS August 3rd , 2011 - Directed by first-time helmer Fernando Barreda Luna

and produced by Octavi Martínez, David Sanz, and Jessica Villegas Lattuada, After its

international premiere, the film screened at Slamdance this past January, garnering a

tide of online buzz and comparisons to PARANORMAL ACTIVITY. The film centers

on the Spanish police’s discovery of hours of recorded evidence that shed new light

on a gruesome murder investigation. The found footage documents a family’s summer

holiday, where a brother and sister investigate a terrifying local urban legend. As their

investigation intensifies, strange occurrences in and around the house escalate rapidly,

before culminating in unspeakable atrocities.

Tags

We welcome readers to submit letters regarding articles and content in Orlando Weekly. Letters should be a minimum of 150 words, refer to content that has appeared on Orlando Weekly, and must include the writer's full name, address, and phone number for verification purposes. No attachments will be considered. Writers of letters selected for publication will be notified via email. Letters may be edited and shortened for space.

Email us at feedback@orlandoweekly.com.

Support Local Journalism.
Join the Orlando Weekly Press Club

Local journalism is information. Information is power. And we believe everyone deserves access to accurate independent coverage of their community and state. Our readers helped us continue this coverage in 2020, and we are so grateful for the support.

Help us keep this coverage going in 2021. Whether it's a one-time acknowledgement of this article or an ongoing membership pledge, your support goes to local-based reporting from our small but mighty team.

Join the Orlando Weekly Press Club for as little as $5 a month.

© 2021 Orlando Weekly

Switch to Desktop
Back To Top