Fringe 2015 review: "CosmoLyrical"

by

comment
Phil Long in "CosmoLyrical" at the 2015 Orlando Fringe - PHOTO VIA PHIL LONG
  • Photo via Phil Long
  • Phil Long in "CosmoLyrical" at the 2015 Orlando Fringe
The science versus religion debate seems to be raging more fiercely today than in any era since Galileo’s day, and the battle only appears to be becoming more bitter. I wish the intractable opponents on either side could sit down together and see "CosmoLyrical," poet Phil Long’s metaphysical monologue in rhyming verse. They might not come out of it appreciating each other’s perspectives any better, but at least they’ll share the common ground of being pleasantly perplexed.

Producer Chris Foster (aka Beth Marshall’s husband) has brought Orlando Fringe the world premiere of Long’s lyrical exploration of the links between the spiritual and physical realms before he tours it to Kansas City and Colorado. “There are secrets out there in the darkness that no one knows … I’ll take you there if you trust me,” Long promises at the beginning of his show, before launching into a sing-song survey of quantum mechanics, humanism and the theology of salvation.



Long’s press release accurately likens his style to "Dr. Seuss meets Carl Sagan," and while I found his his consistent conflation of spirituality and Christian dogma to be a bit limiting, I loved his pearls of universal wisdom, like “We’re getting nowhere faster than we used to” and “Revenge is delicious, but the bones on the table at the end of the feast are your own.”

"CosmoLyrical" is a tricky, trippy piece of theater that demands careful attention to yield dividends, so take it easy at the beer tent before this one or you may drift off into the ether. As much as I appreciated Long’s intellectual intentions, I would have enjoyed it more with 10 minutes trimmed off.





"CosmoLyrical"
Phil Long in Assoc. with Beth Marshall's Husband Presents - Washougal, WA
Venue: Black
Length: 60 minutes
Rating: 7 and up
Price: $11 

We welcome readers to submit letters regarding articles and content in Orlando Weekly. Letters should be a minimum of 150 words, refer to content that has appeared on Orlando Weekly, and must include the writer's full name, address, and phone number for verification purposes. No attachments will be considered. Writers of letters selected for publication will be notified via email. Letters may be edited and shortened for space.

Email us at feedback@orlandoweekly.com.

Orlando Weekly works for you, and your support is essential.

Our small but mighty local team works tirelessly to bring you high-quality, uncensored news and cultural coverage of Central Florida.

Unlike many newspapers, ours is free – and we'd like to keep it that way, because we believe, now more than ever, everyone deserves access to accurate, independent coverage of their community.

Whether it's a one-time acknowledgement of this article or an ongoing pledge, your support helps keep Orlando’s true free press free.